Born in Argentina and resident in France, Armando Noguera studied at the Teatro Colón in Buenos Aires and joined the Atelier Lyrique of the Opéra National de Paris. Among his first appearances at a young age he performed at the Colón Theatre in the role of Figaro in The Barber of Seville, as Falke in Die Fledermaus and as Enea in Dido and Aeneas.

Suddenly he has become in great demand in all the repertoires from Monteverdi (Il Vespro alla Beata Vergine) to John Casken (Golem). He has a predilection for the Italian repertoire and he regularly performs in Mozart's repertoire (The Marriage of Figaro in the role of Figaro, Die Zauberflöte in the role of Papageno) in Amsterdam, Avignone, Tolone, Nizza, Quebeche etc. He sings with great success Rossini's operas (Il Barbiere di Siviglia, Italiana in Algeri, La Cenerentola), Donizetti (Elisir d'Amore, Don Pasquale), but also Verdi (La Traviata, Falstaff), Puccini (Madama Butterfly, La Boheme) and Leoncavallo (I Pagliacci). The French repertoire is also familiar to him and he appears in productions of Charles VI, Faust, Carmen, Djamileh, Le mammelle di Tiresia, L'Heure espagnole, Les Caprices de Marianne and also in the lighter repertoire La Vie Parisienne, The Merry Widow. In his repertoire also the role of Onegin or Lodoiska Cherubini, Die Fledermaus, The Secret of Susanna by Wolf-Ferrari, zarzuela Dona Francisquita, The Rape of Lucretia by Britten, The Telephone.

Besides numerous recitals held in Brazil, Argentina, Portugal, Switzerland (Tonhalle Zurich), United States of America (Chicago Ravinia Festival) and France (Capitole de Toulouse, Nantes Opera and Opera de Dijon), it had a great success performing in the Enfance du Christ (Berlioz) in Seville, Carmina Burana at Orange Choregies, L'Enfant prodigue(Debussy), Misa Tango (Bacalov) in Switzerland and Portugal, Fauré's requiem, the Brahms's Deutsches Requiem, Monteverdi's Magnificat at the Colon Theatre and in numerous participations on French TV.

His international career has made him famous in some of the most prestigious institutions in the world, such as the Baalbeck Festival, the Glyndebourne Festival, La Fenice Theater in Venice, the Opéra de Québec and the Accademia Santa Cecilia in Rome. It is also very present in the major French theaters, as showed by its many appearances at the Paris Opera, the Théâtre des Champs-Élysées, the Opéra-Comique and the Opera of Bordeaux, Lille, Montpellier, Marseille, Avignon, Toulouse, Strasbourg and Nantes. He made his debut at the Glyndebourne Festival in Cinderella (Dandini) as well as in Pelléas et Mélisande (Pelléas) in Nantes and at the Radio Synphonie in Krakow.

Among his huge repertoire we remember performances of La Bohème (Nantes and Paris Opera), La Vedova Allegra (Avignon and Quebec), Il Barbiere di Siviglia (Lille, Dijon, Quebec, Metz), L'Italiana in Algieri and Pagliacci in Avignon and Montpellier, Elisir d'Amore (Avignon, Marseille and La Monnaie), Madama Butterfly (Lille, Luxembourg and Guadalajara), Carmen (Chorégies d'Orange, La Fenice in Venice), Die Zauberflöte (Quebec, Nice and Toulon), Eugene Onegin (Opera in Paris, Rennes, Avignon, Vichy), Cinderella (Lille, Reims, Glyndebourne Festival), The Bat (Lyric Folies in Montpellier), l'Italiana in Algeri (Montpellier, Avignon), Simon Boccanegra (Dijon). He has been also performing the role of Guglielmo Tell (principal role) in Melbourne, Australia and the role of Hamlet in Hamlet by Ambroise Thomas at Teatro Avenida in Buenos Aires.

In 2005 he is finalist of the Operalia International Competition in Madrid, of the Francisco Vinas Competition of Zarzuela Concours, First Prize at the Paris International Competition and First Prize at the Clermont Ferrand International Competition. Best singer of the Carpeaux Circle and AROP Award of the Paris Opera, Critics Award for the best male singer 2018 Opera Chaser Award Australia.

In 2019 the Green Room Awards Association has nominated Armando Noguera among the Male Lead Nominees.


Madama Butterfly

Les pêcheurs de perles

“O Vin dissipe la tristesse”

Pelleas et Melisande

“Vado, corro”


Largo al Factotum

Simon Boccanegra

“Sois immobile”


Bizet Carmen – Escamillo, Moralès, Le Dancaïre
Britten The Rape of Lucretia - Tarquinius/Junius
Berlioz L’enfance du Christ - Joseph
Berlioz Les Troyens - Chorebe
Cherubini Lodoïska - Varbel
Cimarosa Il matrimonio segreto - Conte Robinson
Debussy Pelléas et Mélisande - Pelléas
Donizetti L’Elisir d’amore - Belcore
Donizetti Don Pasquale - Malatesta
DonizettiLucia di Lammermoor- Enrico
GounodFaust - Valentin
Gounod Roméo et Juliette - Mercutio
GounodLe médecin malgré lui - Sganarelle
Korngold Die tote Stadt - Fritz
Lehar Die Lustige Witwe - Danilo
Leoncavallo Pagliacci - Silvio

Massenet Werther - Albert
Massenet Manon - Lescaut
Menotti Le Téléphone - Ben
Mozart Die Zauberflöte - Papageno
Mozart Cosi Fan Tutte - Guglielmo
Mozart Don Giovanni - Don Giovanni
Offenbach La Vie Parisienne - Gardefeu
Offenbach Fantasio - Le Prince de Mantou
Orff Carmina Burana - Baryton
Poulenc Les Mamelles de Tirésias - Le Mari
Puccini Madama Butterfly - Sharpless
Puccini Turandot - Ping
Puccini La Bohème - Marcello
Purcell Dido and Aeneas - Aeneas
Ravel L’Enfant et les sortilèges - L’Horloge/Le Chat
Ravel L’Heure Espagnole - Ramiro
Rossini La Cenerentola - Dandini

Rossini Il Barbiere di Siviglia - Figaro
Rossini L’Italiana in Algeri - Taddeo
Rossini Guillaume Tell - Guillaume Tell
Rossini Le Comte Ory - Rimbaud
Rossini Il Viaggio a Reims - Don Alvaro
Sauguet Les caprices de Marianne - Octave
Strauss J. Die Fledermaus – Falke, Gabriel von Eisenstein
Strauss R. Ariadne auf Naxos - Harlekin
Thomas Hamlet - Hamlet
Tchaikovsky Eugène Onéguine - Eugène Onéguine
Verdi Simon Boccanegra - Paolo
Verdi Falstaff - Ford
Verdi Don Carlo - Posa
Wolf-Ferrari Il segreto di Susanna - Comte Gil
Zimmermann Die Weisse Rose - Hans Scholl

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