In Gaetano Donizetti’s “Lucia di Lammermoor”, a cornerstone of Italian Romantic opera, Carlos Natale appears in the role of Arturo, a character whose presence is brief yet decisive in the unfolding tragedy.
Arturo embodies the political and social pressures that seal Lucia’s fate: his imposed marriage to the heroine triggers the dramatic collapse at the heart of the opera.

Under the musical direction of Jakob Lehmann and in Simon Delétang’s restrained, the opera is performed in Italian with French subtitles.