Karen Slack

KAREN SLACK

Management for Europe & various project
Susanna Stefani Caetani
susanna@onlystage.co.uk

Chrisni Mendis
chrisni@onlystage.co.uk

biography

Praised for her “sizeable voice that captured all of the vacillating emotions” (The New York Times), Karen Slack is "not only one of the nation's most celebrated sopranos, but a leading voice in changing and making spaces in classical music” (Trilloquy). Her debut album, Beyond the Years: Unpublished Songs of Florence Price on Azica Records, won the 2025 GRAMMY® Award for Best Classical Solo Vocal Album.

In the high point of her 2024-2025 season, Slack embarks on a nationwide tour of her new commissioning project, African Queens, an evening-length vocal recital of new art songs celebrating the history and legacy of seven African queens revered as rulers but not widely heralded in the Western world. Featuring new works by acclaimed composers Jasmine Barnes, Damien Geter, Jessie Montgomery, Shawn Okpebholo, Dave Ragland, Carlos Simon and Joel Thompson Slack performs the world premiere of African Queens at the Ravinia Festival, followed by performances at co-commissioners Aspen Music Festival, Tanglewood Music Festival, 92NY, Washington Performing Arts, Denver Friends of Chamber Music, University of Toronto, and Newport Classical Festival.

Over recent seasons, Slack has amassed a body of work reflecting her dedication to premiering works by living composers, with particular focus on using her platform to elevate works by Black artists. When the pandemic limited live performances during the 2020-2021 season, Slack made premiere digital performances with Houston Grand Opera, Madison Opera, and Minnesota Opera. She starred in a new production of the opera Driving While Black, presented by UrbanArias, and launched a digital talk show, #kikikonversations, drawing acclaim from Opera News and The New York Times.

Karen Slack has performed on the stages of the Metropolitan Opera, Lyric Opera of Chicago, Washington National Opera, Scottish Opera, San Francisco Opera, Dallas Opera, Opera Theatre of St. Louis, Austin Opera, New Orleans Opera, Minnesota Opera, Vancouver Opera, Edmonton Opera, Sacramento Opera, Opera Philadelphia, Madison Opera and Arizona Opera, among others. Abroad, she has appeared with the Melbourne Symphony, Sydney Symphony, Bergen Philharmonic Orchestras, and St. Petersburg Philharmonic. Slack made her Carnegie Hall debut with the Orchestra of St. Luke’s and performed as a soloist with the Philadelphia Orchestra in the world premiere of Hannibal Lokumbe’s Healing Tones with conductor Yannick Nézet-Séguin. She made her New York Philharmonic debut in May 2024.

A recipient of the 2022 Sphinx Medal of Excellence and 2025 Power Artist Grant, Slack is an Artistic Advisor for Portland Opera, serves on the board of the American Composers Orchestra and Astral Artists, and holds a faculty position at the Banff Centre for Arts and Creativity in Alberta, Canada. She has been named Lyric Unlimited Artist-in-Residence at Lyric Opera of Chicago for the 2024-2025 season as well as Artist-in-Residence at leading entrepreneurial institution Babson College.

A native Philadelphian, Slack is a graduate of the prestigious Curtis Institute of Music, as well as the Adler Fellowship and the Merola Opera Program at the San Francisco Opera.

press

"The orchestra provided sensitive accompaniment for the soprano Karen Slack. Making her Philharmonic debut, she inhabited the piece’s shifting moods, from anger at a treacherous lover to vulnerability to proud resolution, with strikingly clear high notes by the end."
The New York Times

"Slack carried herself with the right mix of grace and fire befitting one of opera’s great diva roles."
Schmopera

"One of opera’s strongest voices at present — both as a singer and a shaper of its culture."
The Washington Post

"As Alice, Karen Slack sang with poise and radiant sound. Slack’s amply blooming high notes were especially brilliant. She and Heather Phillips, who sang Nanetta, stole the show as far as the women were concerned. . . These two women produced some of the sweetest notes and most finely shaped phrases of the evening."
Opera Today

social media & website

video

Tosca, Vissi d’arte

Un bel di, Madama Butterfly

Kids Who Die (2016) (New York Premiere – Scott Gendel)

2025 GRAMMYs interview

G. Puccini, “Tosca”

“You Can Tell the World,” arr. by Margaret Bonds

discography